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The Reading Room

Joana Avillez revisits New York waterfront childhood memories

Before it became a bustling tourist destination, the South Street Seaport was so empty and smelled distinctly of fish that Joana Avillez's parents chose to live there specifically for the large, avail

KE
Karim El-Sayed

June 1, 2026 · 2 min read

Joana Avillez as a child looking out at the South Street Seaport waterfront, evoking memories of her unique childhood.

Before it became a bustling tourist destination, the South Street Seaport was so empty and smelled distinctly of fish that Joana Avillez's parents chose to live there specifically for the large, available spaces, according to Into The Gloss. Avillez's unconventional upbringing granted her a distinct perspective on a part of New York City often overlooked in its raw state. The Seaport, once a desolate industrial area, fostered a unique childhood that now inspires an artist to re-engage with its cultural history. Avillez's work offers a nostalgic yet critical lens, bridging the Seaport's gritty past with its polished present.

An Artist's Return to the Waterfront's Roots

  • Joana Avillez illustrated a new edition of Joseph Mitchell's “The Bottom of the Harbor,” according to The New York Times. Her artistic contribution to this classic work about the waterfront reveals a deep, personal connection to the area's enduring narratives, offering insights only a true native could possess.

Shirley Temples and Seaport Memories

As a child, Joana Avillez would visit The Odeon restaurant with her father for Shirley Temples, as reported by Into The Gloss. The rituals of visiting The Odeon for Shirley Temples speak to a childhood that blended the Seaport's unique character with universal experiences of family and urban life, finding moments of beauty amidst the industrial landscape.

How Did Seaport's Past Shape Avillez's Art?

Joana Avillez's illustrations for 'The Bottom of the Harbor' are not merely artistic interpretations; they are a deeply personal reclamation of the South Street Seaport's forgotten urban identity. Rooted in her parents' deliberate choice to inhabit its desolate, pre-gentrification landscape, her intimate, almost solitary experience of the Seaport's desolation provided an unparalleled lens for Joseph Mitchell's historical narratives. Her intimate, almost solitary experience of the Seaport's desolation allows her to connect with the area's true character in a way impossible for someone familiar only with its current tourist-heavy incarnation. Her art thus serves as an authentic bridge, revealing that profound understanding often emerges from experiencing a place in its overlooked, unglamorous phases.

Given her profound connection to the Seaport's layered history, Avillez's future work will likely continue to unearth the hidden beauty and complex transformations of urban landscapes, offering a vital counter-narrative to rapid gentrification.

Tags

Joana AvillezNew York CitySouth Street SeaportArtIllustrationChildhood MemoriesUrban History
KE

Karim El-Sayed

Senior Editor, Home & Design

Karim El-Sayed is the Senior Editor for Home & Design at Wall Shelf Journal, where he covers the Home Chapters and Objects & Finds sections. His work explores the intersection of architectural history, material culture, and decorative arts to show how the spaces we inhabit shape our daily lives.

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